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- Poses questions to a large and varied group of people regarding their own perception of the divine. The peculiar microcosm, a surprising sociological container, is the backdrop where these inquiries take place: the set of The Passion of the Christ (2004).
- A portrait of a youthful and exceptional adventure which unfolds during an unforgettable summer.
- The idea at the base of the project is to let cohabit two apparently opposite worlds: the old, orally handed sardinian chants with an unstructured serial aesthetic very close to the mysticism of the Tibetan mandalas and the digital fractal decomposition of the space. The research tents to re create a world of abstract images that nevertheless shelter the elements of recognizability of the singers. They are portrayed almost like glass icons of an Escher like cathedral window, or through a mirror-like pop lens. The result is a moment of absolute suspension and classic-like estrangement. The digital attitude is, yes, used to transform the shape and the body of the singers but with an extreme cure in the attempt of translating and respecting that ancient ancestral feeling that this singing recalls.
- A man and a woman reach a wild beach carrying a large blank canvas. He is a painter with a brush and a paint that leave no trace . She seeks inspiration by walking with a telescope. In the sea there is a small fishing boat with three fishermen , the oldest scanning the horizon and throws something in the waves , others roll up their networks . All are found in a shed in the evening for dinner until a storm will blow the light revealing a surprise .
- A voyage trough the representation of body in the '900 sculpture. A emotional testimony of Lindsay Kemp, his remembrances and performances of his works about Manzù, Giacometti, Rodin, Niki de Saint Phalle, Mirko, Klein, Mirò e Picasso. The art critic Valerio Rigosecchi take us in this ideal excursus.
- A visual-art travel for Sardinia.
- 69 men talk about their first reaction to the words, "I'm pregnant"
- A girl walks and something down in the ground observes her, she bends over, takes that thing in her hand, and launches it in flight.
- The first video interview Koudelka has allowed in his life.
- Only music and images. One day, from dawn to sunset, in the fish market of Venice.
- Video pro-aeolic energy made in collaboration with Greenpeace Italy. Filmed in the aeolic park of Bonaita (Aggius), in Sardinia. Three music movements to show how aeolic systems could be also beautiful.
- A portrait of director Pippo Delbono, revealing his way of working through the description of a stage play made for the Biennale of Venice in 1999.
- A young couple and their lovely dog, and their last crisis. A night and a day full of disputes to take an important decision.
- It is possible to increase the value and dignity for the biggest industry area in the world? The art critical Luca M. Barbero explains this topic.
- The desirable and perhaps utopistic recovery of the former Anas parking lot in Catanzaro as a multimedia museum of contemporary art; this is the pragmatic and provocative proposal of Prof. Andrea La Porta.
- Matt is a young american singer who receive a mysterious inheritance from his uncle, who lived in Piedmont. As his uncle asks in the testament, he got to make first a trip around this region, without money, to get the inheritance. He takes a long and intense trip in wich he's gonna find many new friends, maybe a new love, and a better knowledge of this country. When he come back, he discovers that the inheritance is not exactly what he thought...
- This film tells the story of a small environmental miracle that occurred in the Sardinian sea. Starring Gianni Usai, who had worked at the FIAT Mirafiori factory where in the 70's he took part to the worker's protests, before returning to his home town in Sardinia to become a lobster fisherman with a challenging goal: make a living from the sea without killing it. In the following years the increasing decline of the Mediterranean fish stocks became apparent also in Sardinia, and led Usai to seek the help of the University of Cagliari to jointly design the first recovery project of the spiny lobster in the Mediterranean. This unusual partnership between science and fishing practices produced impressive results with an increase of over 550% of the lobster biomass within the protected areas. "At the end of the 90's" said Gianni Usai "we realized that we were close to the extinction of our lobsters, mainly because of trawling and also because many fishermen kept fishing baby lobsters without respecting the minimum landing size. In only a few years the catches dropped from 13 to 1 tons. We had to do something and so we tested the recovery project. Today, our fishermen are finally realizing that they can turn from predators into guardians of the sea." This documentary uses a visual language that captures the deep commitment of the fishermen that truly care about the future of our oceans and of those that depend on it.
- A documentary about the history and the restoration works on the Giulio II Sepulchre in the San Pietro in Vincoli Church, through the testimony of many historians, critics, visitors and some "special guests".
- A visual, narrative and musical travel trough the Italian Experimental Theatre Festival (edition 1998) from Sant'Arcangelo di Romagna.
- A short windy rhapsody in three movements shot in Sardinia, three season of the day: the gait, the flight and the darkness. Thinking of Cervantes and of the fifties science fiction. From till to dawn another day which blows at waltzer rhythm, this time in Tuscany with a human presence, spectator and protagonist at the same time in front of the nature's power.
- Stage portrays a human rotation inside the courtyard of the Taman Sari, an Indonesian palace from the 18th century, a well-known tourist attraction in Yogyakarta. Most of the visitors, once discovered the vaguely Escherian patio, they activate a sort of spontaneous communitarian choreography of entrances and disappearances. Everybody wait for their moment to reach the platform in the center of the stairs to take a picture; or they stay in the external perimeter to photograph who rose to the center. Like ghosts of the contemporary world, the transiting people digitally stop their presence and then vanish.