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- Semi-documentary film about a man going to his home country of Chad after many years living in exile in France.
- An underground but mighty river links the cities of Carrara in Tuscany and Barre in Vermont, USA. It is a river that carries with it the tragic epic of an entire community of emigrants from all over Europe engaged in the everlasting and titanic struggle against stone. It rises from the quarries of the Apuan Alps, where Michelangelo used to go to obtain the blocks of marble. And that finds its outlet in Vermont, amidst social battles, tragic deaths, the splendor of the art of sculpture, amidst anarchic utopia, hope and tragedy.
- In a secluded village, two families decide to marry their children because of the lack of young people. The fiancee doesn't want this wedding but hasn't much choice.
- Covers outstanding personalities of their time and in their discipline, who are only too rarely seen in the media today. Philosophers, artists, activists, researchers, all have contributed to forging and enriching contemporary thinking.
- The drawings of the Poilus and their texts are remarkable testimonies to understand what these men experienced during the First World War. Featuring graphic treatments of the original art drawings and sketches, and excerpts from stories.
- The director travels to San Francisco for the funeral of his gay friend, Roberto.
- The narrator tells of his love youth in the Paris of the 1970s: a story of sentimental education, heart and body lost; an intimate story as much as the adventure of a generation; a film about the difficulty of loving.
- French Professor of Ophthalmology José-Alain Sahel's team is the first in the world to have developed an operation on the retina. We are following this experience for a year, and above all, we witness the first surgeries with the patients.
- A new day starts on l'Entzenbach farm. Bernard lives there alone with his animals. Today's the pig's slaughter so Bernard's old friend Jean has come to lend him a hand.
- Through the political activism of some people of Khayelitsha, the film seeks to reveal the attachment of its residents to a city born of Apartheid. Why, despite all this suffering, disease, poverty, illegality, do they still believe in it?
- Our ancestors the Gauls English synopsis Be aware of the role of the mothers of immigration in the blossoming of a multiracial France is one of the main focus of the film "Our ancestors the Gauls". These anonymous heroines tell their stories and speak of their place in society, and their responsibility in the integration of their children born in France. Step by step, the film follows the developments in the artistic project which has been stimulated by the film itself : a theater performance based on reality, written from the transcripts of meetings with the mothers and their witness statements. These "Actress Mothers" emerge from the shadows to tell their interlinked experiences. Funny and lively, they speak on a theater stage, in front of their dear ones, unknown spectators, the media and the wider public, about their vision of France, their routes to emancipation and their hopes for their children. Encouraging these mothers to talk about immigration has become an artistic project in full that the film tells - from their first steps on the stage, through doubts, trails and errors, nervousness, laughs - until the magic of the premiere.
- Today, in 2000, men and women lives differently. Certain lives the Middle Ages in a rustic life with a huge religious belief, some others lives with the technology in an ultra modern world religiously led by money. The birth will be a big lottery who organize our life. There is no winner, no loser, just huge differences, according to the place where we born. It's what a SADHU (Hinduism priest), try to explain, in the middle of Katmandou.
- A sound and mechanical object triggering music, gestures and words, imposing rituals and encouraging encounters, the piano resonates throughout the film, echoing the singular stories of the participants: artists, tuners, repairers, movers.
- Il aime les femmes et la bicyclette. Il aime aussi son passé. Son appartement du centre de Moscou va être privatisé. L'imminence de son déménagement se confond avec le grand chambardement qui secoue la Russie contemporaine. Comment soixante dix ans de communisme peuvent-t-ils se dissoudre dans léconomie de marché? Que reste-t-il de la révolution? Faut-il quelle survienne à nouveau? A quoi bon ? Une année durant, ces questions traversent la vie de Micha Zaitsev. Ce film est son journal de bord. He likes women, bicycles and memories of days long gone by. His downtown Moscow apartment is on the verge of being put on the market. His impending eviction merges with the great upheaval shaking contemporary Russia. Can 70 years of Communism be erased by a market economy? Has the Revolution been entirely swept aside ? Is there anything worth saving? For over one year, these questions run through Micha Zaitsevs mind. This film is his personal diary.