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1-12 of 12
- The crew is running out of money to finish their film.
- A small group of well-to-do vacationers go on a hiking trip into the woods. Foolishly unprepared to deal with Mother Nature and their situation, they wander around lost for days and weeks, becoming more and more fatigued, hungry, and desperate. A brief encounter with a pair of epicureans on a bridge fails to garner them any of the gluttons' feast due to a language barrier. Eventually their party begins to die, and the survivors ration their meat among them, attaching a religious-type ritual to its dispensation.
- The daughters of a nobleman give shelter to a stranger. After that visit ends with a severed hand, the pilgrim takes on different identities to seek revenge. The nobleman goes missing and his youngest has to pose as a knight to save him.
- The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.
- In the eighteenth century the thwarted love affair between a young man from a good family and his 15-year-old neighbor. But the young lovers' families are fiercely opposed.
- Raised in seclusion, a young woman claims her unborn child was conceived through an angel.
- For his feature debut Monteiro creatively borrowed from traditional Portuguese legends to craft a series of echoing, parallel tales of young couples desperately escaping cruel false fathers, each couple on the run across different regions of the country and during increasingly contemporary time periods. A lyrical and profoundly cinematographic allegory with a glistening sharp political edge, Paths traces a pattern of repressive authority across Portuguese history while also pointing, with cautious optimism, towards the steady presence of youthful resistance. With its stunning choreography of landscape and use of a poetic, associative structure to evoke the longue durée of mythical time, Paths anticipates Monteiro's mid-career masterpiece Silvestre.
- A story about doomed love between two people from different worlds and the impact in their lives.
- The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.
- Being divorced, André does not accept the idea of having to leave the residence and his furniture, as his woman suggests, when she visits him accompanied by an antiquarian.